Max-Weber-Kolleg (Steinplatz 2) / Raum 211 (1. OG)

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Max-Weber-Kolleg für kultur- und sozialwissenschaftliche Studien
Steinplatz 2
99085 Erfurt


Universität Erfurt
Max-Weber-Kolleg für kultur- und sozialwissenschaftliche Studien
Postfach 90 02 21
99105 Erfurt

Manuel Moser

Zur Person

Curriculum Vitae

  • Ab Okt. 2019: Doktorand an der IGS des Max-Weber-Kollegs
  • 2017 – 2019: Máster oficial de Internacionalización: Aspectos económicos, empresariales y jurídico-políticos (Universitat de Barcelona)
  • (2016): Sémestre d’échange en Sciences des Religions (Université du Québec à Montréal)
  • 2014 – 2017: B.A. in Religionswissenschaften (zweisprachig) und Medien- und Kommunikationswissenschaft (Université de Fribourg / Universität Freiburg)


Anthropology of cars: Resonances in the relationships between drivers and their vehicles

Do our interactions with things challenge the very idea of alienation ”Entfremdung”? I argue so by assuming that we cannot only experience meaningful resonances in the relations to fellow human beings or higher entities, but also in our relationships to material beings. In my dissertation project, I will therefore analyse the ways professional drivers interact with their vehicles. The research question will be to what extent the resonance theory serves to interpret the often very close relationships between drivers and their vehicles. Methodologically I will enrich the theory with empirical data obtained through participant observations and qualitative interviews with drivers in Germany and Bolivia. The research can build onto one of my former projects that showed that Bolivian drivers repeat at least two rituals annually to bless their vehicles: The first, the ”bendición” is a blessing performed by a Catholic priest and usually associated with a pilgrimage. The second, the ”ch'alla”, is a ritual that the drivers perform themselves or for which they engage with traditional healers, and which is developed along the burning of a plate of offers called ”k'oa”. A common experience among all interviewed drivers was that these two rituals provide effective influence by reducing danger in the sense of a positive reciprocity. Nevertheless, some, but not all, also argued that not doing the rituals correctly will result in direct negative impacts like accidents and incidents, which are understood as forms of divine punishments. This data will be complemented with new empirical fieldwork in Germany and Bolivia, putting special emphasis on the driver-vehicle-relations. As helpful theoretical frames, I will draw on the acceleration thesis and resonance theory by Hartmut Rosa, on Bruno Latour's Actor – Network Theory and other theoretical concepts in the perspective of the anthropology of things, which understand not only humans, but also things as ”actants” influencing people with their actions. The already collected empirical data underlines this, as all interviewed drivers perceive their vehicles to have an independent agency of their own. Furthermore, it is interesting on a theoretical ground to examine where the sociological explanations and the Andean concept of sumak kawsay or suma qamaña (buen vivir, good life), which also extends ”life” to nonhuman beings and which encourages the active maintaining of an overall harmony, do overlap and where they give different interpretation frames. The aim of this study is to contribute to closing the research gap between Western science and non-Western knowledge, caused by centuries of neglecting and/or orientalising of indigenous ”Weltanschauungen”. Obviously it must consider that it is crucial not to oversimplify the analyses by decontextualizing the different backgrounds, but it shall try to understand the entanglements.


  • Der andino-katholische Synkretismus im modernen Bolivien am Beispiel der Motorfahrzeugsegnungen (2020) – Artikel in Zeitschrift für junge Religionswissenschaft, Ausgabe 15 (forthcoming).
  • Protegido: Autosegnungen in Bolivien (2018) – Kurzfilm zu Bachelorarbeit über andino-katholischen Synkretismus (Link).
  • Ceno ergo sum: Ich esse, also bin ich (2016) – anthropologischer Kurzfilm über den Alltag einer veganen Familie (Koproduktion).